Author Archives: spacesjut

Gideon the Ninth (The Locked Tomb I), by Tamsyn Muir

A Thing I’ve (re-)Read 07/25: Gideon the Ninth (The Locked Tomb I), by Tamsyn Muir

The cover of Gideon the Ninth, by Tamsyn Muir. It shows the eponymous desaster lesbian, a lean and muscular woman mostly clad in the black garb of the Ninth House but with uncovered arms, in her right hand a rapier and on her left a glove with steel claws. Her face is painted with a skull mask beneath short red hair in a crew cut. Across her back is strapped (heh.) a sword, with the hilt extending over her left shoulder. In the background a whole lot of skeletons are in the process of shattering explosively.

As expected, this thing is a lot less confusing the second time around, and having it in print also helps when checking for the Dramatis Personae aka “who was that again?”. It still is a wild ride around very interesting world-building, and apparently I had hallucinated a whole plot point in Canaan House. Books-in-memory are always a gamble. I once again highly recommend this whole series.

(I also have no idea why Charlie says “in space” in his cover blurb, when maybe half a percent of everything is actually in space, but hey.)

A Psalm for the Wild-Built & A Prayer for the Crown-Shy (Monk&Robot I&II), by Becky Chambers

The cover of A Psalm for the Wild-Built, by Becky Chambers. In shows the title in varied-width-letters over a semi-stylized forest crossed winding roads and pathways, with Mosscap standing on a path playing with butterflies and Sibling Dex sitting on their wagon with a cup of tea in their hands.

Two Things I’ve re-Read:
05/25: A Psalm for the Wild-Built (Monk&Robot I) and
06/25: A Prayer for the Crown-Shy (Monk&Robot II), both by Becky Chambers

Some so-very-much needed comfort food, the story of Sibling Dex and Mosscap, and their adventures in the wild and in the villages, and it’s.. just so good. Wholesome. Comfortable. Hopeful.

And I might be a little emotional now, after inhaling it after whatever this week was.

The cover of A Prayer for the Crown-Shy, by Becky Chambers. It shows the title in width-varied letters in front of a picture, in the background of which a stylized view of a city of habitat-spheres on poles, growing amid the trees of a forest, in the foreground a road winding through some hills, on it the tea-wagon of Sibling Dex.

Love, Death, and Robots S04

A Thing I’ve Watched 06/25: Love, Death, and Robots S04

A poster for Love, Death, and Robots, Season 4. It shows on a black background three candy pieces: a heart with the letters L and V, a cross with the letters D and T on one arm, and VOL and 4 on the other, and a block with two eye-like holes with the letters R, B, T and S. Above it the line "Volume F*** / May 15".

It was… alright? I feel a bit like the concept has run its course and maybe it’s time to get off the horse while it’s still alive.
I don’t fully understand why “Can’t Stop” was in there, “Spider Rose” was a good watch, as was “The Screaming of the Tyrannosaur”, “How Zeke Got Religion” was good but really gory, and “For He Can Creep” has some very good cats.
Again, an alright season, but it lacked the pull of its predecessors.

Machine Vendetta, by Alastair Reynolds

A Thing I’ve Read 04/25: Machine Vendetta, by Alastair Reynolds

The Cover of Machine Vendetta, by Alastair Reynolds It shows the silouette of a man from behind, looking at a floating, glowing ball, almost a miniature star, surrounded by floating displays full of numbers.

The third and so far last Prefect Dreyfus Emergency brings me finally back to the point of having read everything Revelation Space. The book picks up a while after its predecessor, and… I have no idea how to keep this spoiler free, so I’ll just say that it brings the as-of-now trilogy to a satisfying conclusion, while leaving open possibilities to tell more stories in the Glitter Band of Yellowstone.

(I highly recommend to read Aurora Rising and Elysium Fire first, and I highly recommend every single piece of Revelation Space-fiction this man has ever written.)

Assassin’s Creed Origins

A Thing I’ve Played: Assassin’s Creed Origins

The Cover of Assassin's Creed Origins.

On the one hand, there’s not a lot to say. It’s an Assassin’s Creed game. It’s set in Ancient Egypt in an attempt to tell the story of how things came to be, backfilling the series-defining artefacts away from being biblical into being ancient. It’s an alright story, it’s good gameplay, and I cannot clearly explain why but I found the ending, while not bad, very lacking.

The DLCs were pretty good, especially the Curse of the Pharaohs, but that one has… no proper ending at all? The quests just are over at some point? Or I’ve missed something bigger. I don’t know.
It plays well. I had fun. I don’t know if I would actively recommend it.

Arcane, Season 02

A Thing I’ve Watched 03/25: Arcane, Season 02

How dare, Riot. HOW? DARE!?
The second season is every bit as excellent as the first one. Animation, music, story, style, everything.
It is also even more hard-hitting, and I am still a bit shell-shocked from running through it in three days. This whole thing gave me A Lot of feelings, and all the interspersed fluffyness made the gut-punches hit so much harder.
I do recommend it, but this is not “light entertainment”.

A poster for Season 2 of Arcane It shows from bottom to top Vi swinging power-fists, Caitlin aiming her rifle at something off-picture, Ambessa looking grim, and Jinx looming over all of them.

Arcane, Season 01

A Thing I (re-)Watched 02/25: Arcane, Season 01

A poster for Arcane S01 It depicts in its middle Jinx performing a finger guns-gesture, surrounded by mirror shards depicting the rest of the cast.

This thing holds up as perfectly on the second run as on the first, and oh boi did I forget how constantly hard-hitting this was.
Hopefully I’ll now manage to ge relatively quickly into S02, finally.

Never Mind the Gig Work… Here’s the Coffeebots!

A Thing I Watched 01/25: Never Mind the Gig Work… Here’s the Coffeebots!

A “reconstruction of the filmed version of a puppet play that was never performed” by the c-atre collective, this open-source play (link below) follows a group of coffee-bots unhappy with their working conditions making their way to the Boss Planet to update the system. It is slightly absurd and utterly delightful, and contains some very good musical numbers.

The thumbnail of Never Mind the Gig Work… Here’s the Coffeebots! It shows part of the main characters, puppets made of upcycled Bialetti cans, performing as a band on stage.