Category Archives: Things of 2025

A collection of consumed media in the year 2025.

Radicalized, by Cory Doctorow

A Thing I’ve Read 09/25: Radicalized, by Cory Doctorow

The cover of Radicalized, by Cory Doctorow. On a red background in white letters the author on top and the title on the bottom, and between them in a two-by-two grid four white circles with black icons in them representing the stories: a slice of bread with the "forbidden"-sign on it, a superhero silouette, a pill with the hand of a drowning person reaching up from the bottom, and a skull with the white parts represented by human silouettes.

A collection of four dystopian novellas that’s been on my list for ages, and they’ve not aged a day since release. Especially the titular radicalized, about an armed uprising against the US healthcare system…

As usual, Doctorow has a very keen eye on How Things Will Get Worse Under Capitalism, and it’s a good read that can be tackled one-by-one.

Wir waren jung und unerschrocken: Skipper von Traditionsschiffen erzählen, von Martina Boetticher

A Thing I’ve Read 08/25: Wir waren jung und unerschrocken: Skipper von Traditionsschiffen erzählen, von Martina Boetticher

Eine Sammlung von Erzählungen und Lebensgeschichten aus der Traditionsschifferszene, wie das damals(tm) so war und wie das heute alles schwieriger ist. Und darüber wie damals einfach mal gemacht wurde, zB die Geschichte der versuchten Weltumseglung der Pippilotta.

Interessant zu lesen, hätte aber Lektorat und Korrektorat vertragen können.

Das Cover von Wir waren jung und unerschrocken: Skipper von Traditionsschiffen erzählen von Martina Boetticher. Es zeigt ein augenscheinlich altes Photo eines Traditionsseglers, mit viel Film-Grain, auf See mit gesetzten Segeln.

Gideon the Ninth (The Locked Tomb I), by Tamsyn Muir

A Thing I’ve (re-)Read 07/25: Gideon the Ninth (The Locked Tomb I), by Tamsyn Muir

The cover of Gideon the Ninth, by Tamsyn Muir. It shows the eponymous desaster lesbian, a lean and muscular woman mostly clad in the black garb of the Ninth House but with uncovered arms, in her right hand a rapier and on her left a glove with steel claws. Her face is painted with a skull mask beneath short red hair in a crew cut. Across her back is strapped (heh.) a sword, with the hilt extending over her left shoulder. In the background a whole lot of skeletons are in the process of shattering explosively.

As expected, this thing is a lot less confusing the second time around, and having it in print also helps when checking for the Dramatis Personae aka “who was that again?”. It still is a wild ride around very interesting world-building, and apparently I had hallucinated a whole plot point in Canaan House. Books-in-memory are always a gamble. I once again highly recommend this whole series.

(I also have no idea why Charlie says “in space” in his cover blurb, when maybe half a percent of everything is actually in space, but hey.)

A Psalm for the Wild-Built & A Prayer for the Crown-Shy (Monk&Robot I&II), by Becky Chambers

The cover of A Psalm for the Wild-Built, by Becky Chambers. In shows the title in varied-width-letters over a semi-stylized forest crossed winding roads and pathways, with Mosscap standing on a path playing with butterflies and Sibling Dex sitting on their wagon with a cup of tea in their hands.

Two Things I’ve re-Read:
05/25: A Psalm for the Wild-Built (Monk&Robot I) and
06/25: A Prayer for the Crown-Shy (Monk&Robot II), both by Becky Chambers

Some so-very-much needed comfort food, the story of Sibling Dex and Mosscap, and their adventures in the wild and in the villages, and it’s.. just so good. Wholesome. Comfortable. Hopeful.

And I might be a little emotional now, after inhaling it after whatever this week was.

The cover of A Prayer for the Crown-Shy, by Becky Chambers. It shows the title in width-varied letters in front of a picture, in the background of which a stylized view of a city of habitat-spheres on poles, growing amid the trees of a forest, in the foreground a road winding through some hills, on it the tea-wagon of Sibling Dex.

Love, Death, and Robots S04

A Thing I’ve Watched 06/25: Love, Death, and Robots S04

A poster for Love, Death, and Robots, Season 4. It shows on a black background three candy pieces: a heart with the letters L and V, a cross with the letters D and T on one arm, and VOL and 4 on the other, and a block with two eye-like holes with the letters R, B, T and S. Above it the line "Volume F*** / May 15".

It was… alright? I feel a bit like the concept has run its course and maybe it’s time to get off the horse while it’s still alive.
I don’t fully understand why “Can’t Stop” was in there, “Spider Rose” was a good watch, as was “The Screaming of the Tyrannosaur”, “How Zeke Got Religion” was good but really gory, and “For He Can Creep” has some very good cats.
Again, an alright season, but it lacked the pull of its predecessors.

Machine Vendetta, by Alastair Reynolds

A Thing I’ve Read 04/25: Machine Vendetta, by Alastair Reynolds

The Cover of Machine Vendetta, by Alastair Reynolds It shows the silouette of a man from behind, looking at a floating, glowing ball, almost a miniature star, surrounded by floating displays full of numbers.

The third and so far last Prefect Dreyfus Emergency brings me finally back to the point of having read everything Revelation Space. The book picks up a while after its predecessor, and… I have no idea how to keep this spoiler free, so I’ll just say that it brings the as-of-now trilogy to a satisfying conclusion, while leaving open possibilities to tell more stories in the Glitter Band of Yellowstone.

(I highly recommend to read Aurora Rising and Elysium Fire first, and I highly recommend every single piece of Revelation Space-fiction this man has ever written.)

Assassin’s Creed Origins

A Thing I’ve Played: Assassin’s Creed Origins

The Cover of Assassin's Creed Origins.

On the one hand, there’s not a lot to say. It’s an Assassin’s Creed game. It’s set in Ancient Egypt in an attempt to tell the story of how things came to be, backfilling the series-defining artefacts away from being biblical into being ancient. It’s an alright story, it’s good gameplay, and I cannot clearly explain why but I found the ending, while not bad, very lacking.

The DLCs were pretty good, especially the Curse of the Pharaohs, but that one has… no proper ending at all? The quests just are over at some point? Or I’ve missed something bigger. I don’t know.
It plays well. I had fun. I don’t know if I would actively recommend it.